Monday, February 15, 2010

Dance IV: The Price of Dreaming

Leo Leone, in his brilliant red uniform, and glossed black boots, adjusts his gentleman's wig and marches down the antechamber of the Corpus Regum. Addressing two blue-clad guards, they raise their halberds for the captain to pass between,but otherwise showing no sign of reaction. Captain Leone was a well-built man, with a barrel chest and a robust face, showing considerate pride and proud consideration.

"We who dream, salute you", bows a disfigured creature in the shadows of the external corridor climbing the citadel of night. Two red eyes between massive black scales of an ever-furrowed brow, is all the man could see.

"We who dream, salute you", curtsies a seductive young woman clad in alien black and scarlet clothing, sadness in her eyes.

"We who dream, salute you", a spry, small childlike demon grins.

"We who dream, Captain Leo Leone, salute you", nods a large man, dressed as a barbarian of sorts, with a greatrifle slung behind him. Arms akimbo, he stands before the rest.

The captain strengthens his nerve, always put out of ease from the Dreamers, clicks his boots together, stands tall and adresses them all. "And what are the names of these four?" A sentry in blue steps foward, pointing from a list the creature is named Calus, the woman Leah, the demon Rio, and the man Tintagel.

"Tintagel and Rio, I will have you two take one side, and Leah and Calus, the other. Pitted up against the neutral party tomorrow, the survivors will be granted freedom, I can promise you." With that, he turned on his boot heel, and the four beings were directed by more blue guards back to their chambers.

Dance III: Delerium, the Beautiful

Far away, in an place dreamed of by many, known by few, and feared by all, lies a lofty cliff overlooking an ever stormy sea, where the wind always blows fiercely and the dark rain eternally beats down on the dampened grass. Situated right at the end of this cliff lies an infinitely opulent mansion, with one light shining form a solitary window, overlooking the water. To follow the muddy path towards the colossal building is no arduous task in comparison to the countless perils a traveler meets on the journey here. Winding up a staircase to the front doors, one opens them to find...

Nothing. The building, the whole building, is nothing but a great shell, with no ceiling but the roof dozens of stories above, the floor nothing but the grass and dirt path continuing, with the occasional dead tree, matching the harsh landscape outside. At first you will notice the remarkable silence, the complete cancelling of the storm outside. At the end of the dirt path inside, leading to the far wall over by the cliff side, is a shack, with a warm lantern glow inside... Strange music fills this air, inside the shell mansion, and a strange fog lifts from the ground, a beautiful, familiar feeling mixed with trepidation and trespassing.

Violin music, a soft sigh... Inside the shack of plank wood, colorful fabrics, and other miscellanious brickabrack, sits a curious creature playing the violin, looking out the window at the edge of God's creation, with waves of oblivion beating against the shore. His face, strangely fabric; his hair, more perfect than a wig. He smiles a kindly smile as his obsidian eyes warmly crinkle in the corners, with all the recognition of some favourite childhood toy.

Gepetto.

Wednesday, February 10, 2010

Dance II: The Man with the Colored Mirrors

Under the garb of the handsome Dmitri, lay a necklace, bracelets and bangles, all adorned with mirrors of every color. Larger panes of glass still were under his black garb, a strap over his shoulder, showing all the care and design of a beautiful stained glass window. He walks the streets of night, meditating on his lost wife. He meditates on life and death, of the interrupted cycle. Here in Conrequiat, the cycle has been interrupted.

Within the panes of glass, in his mind, there lies a memory of his past, looking through the window at him, from the eyes of another. From the jade pane on his wrist, shows his mother's eyes watching as the small child cries, hurting from a scrape on the knee... From the amber pane on his necklace, the eyes of Rosanna meeting Dmitri for the first time, as he shyly looks towards her, barely making eye contact... You look beautiful, miss-- He looks away hurriedly. More painful, perhaps, from the midnight blue circle on his bangle, again his mothers eyes, as the young man, still the small child in her eyes. Dmitri limps down the hallway on his crutches, finally showing the pain he is in, believing he is unobserved. The bandages and braces from so many wounds, all obtained from playing the hero... he turns around and smiles shily at his mother, looking through the glass right back at Dmitri...

He stops looking through the glass, seeing from the fire orange pane on his strap the view of some dark creature in the shadows, gazing at him this very instant...

Dmirti now stands with his shirt and jacket tied about his waist, his pale skin covered only by the shards of glass he wears underneath. They have given him warning he is being watched. Continuing towards the darkest regions of the town, he continues to keep watch for any sign of whatever is calling him forth, while the city sleeps endlessly.

Saturday, January 30, 2010

Dance I: Eunuch Holiday

Out from the miserable peaks of thousands of grey towers of the pale city Conrequiet, thousands of red and yellow and orange lamps are blown out, bringing blackness to the cityscape. Not but a moment later, the streetlights illuminate, bringing a soft, ghostly hue to the white stone. One man continues to pace the streets, his hansome face creased by desperation and troubled thought.

Half mad by now, Dmitri continues his nightly wanderings, never ceasing.

For upon half the year Conrequiat will bask in endless night, an half the year endless day.

The waking shift has come to a hault, and the dreaming shift had begun. When the city slept, it was dangerous to go outside. Things are changing.

The androgenous eunuch monks begin to pour from the temples, in their blackeded robes, by the hundreds and wander the white maze of midnight in perfect silence, to keep the people indoors, and the demons of nightmares out of doors.

Things are changing indeed.

Monday, January 4, 2010

CONCERTO OF ONE HUNDRED DANCES

Welcome all, take my hand, let me greet you-- this is truly an auspicous event, here at the concerto of ONE HUNDRED dances, and no less! Come along, don't let the stage hands look at you, for if you don't look at their faces, you won't remember these ghosts from your past. Pay no heed to the audience, for they will tear you apart if you meet their gaze. Focuse on the grand performance, and enjoy!

You're playing with fire! You're going to be singed! Life is too beautiful a thing to let go unspoiled so indulge in our show!

Saturday, December 19, 2009

Plays With Matches (The Duelists)

The Duelists

A last dance

One last goodbye to the lover, one final kiss

And the piano and the saxophone lament goodbye

The people file out into the wet neon city

A wave farewell

The cab drives off through the yellow street lights

You slosh through the puddles, coat pulled tight

The chill augments as a red siren goes by

A phone call

“Hello?” As he speaks, silence; your voice would tremble

From all the hatred, all the sibling-akin love long ago

The time has come, you feel your firearms fastened close

A final walk

Screaming, crying, arguing, moaning sounds

The city’s life-blood is the people inside of it

You are but a virus in floating through the vein

A cemetery

Your final journey through a dewy night graveyard; you think

For every soul who dies a new one takes up arms

You suppose another soldier will be born in the morning

A stranger

A familiar silhouette blots out the lights of a bar

On the sidewalk you finally stop under a light

No traffic disturbs the stillness

A reuniting

It’s been a while I know You haven’t changed You have

How’s life been I missed you Me too Some things never change

I hate to do this We have no choice Let’s finish this

A showdown

The click-click BANG zoom BANG BANG

BANG BMM BANG -thud- -thud- -kack- thud-

Tck-tck-tck -thud- shatter…

A new morning

One pair of eyes close and the red turns to grey

One grins like a devil, one rests like an angel

One new soul is born into the world to take their place

A lesson

The survivor doesn’t matter, whichever one, be it him or you

They stand tall in the morning by shattered glass and blood

Over their enemy the duelist can still find no solace or peace

Saturday, December 12, 2009

OVERTURE to Nocturn, Second Movement (Part Ten)

Friend continues to walk through the desert and stare at the grooves in the sand. Nothing else to do. No games to play with no company to play with. The desert wasn't so pretty here in the maze anymore. He missed his friend Roderick. What was there on earth to do now?

For the first time perhaps ever, he realizes, a fool contemplates destiny, standing in the sun upon a boulder in the shade of a canyon. For the first time perhaps ever, a fool is solumn.

Friend continues to walk through the desert and stare at the grooves in the sand. A fool no more.

---

Days later he happens to catch up to a wandering soldier, the puppeteer of the strange men. He wears the beginnings of a white beard, and his dust-filmed uniform's coat is slung over his shoulder as he marches onward.

"Where are you going to, might I ask?" Friend asks as he tugs on the man's belt line.

"To a perfect world... wherever it may be." His eyes are shut.

"A strange way to get there, might I say."

The man kneels down, opens his eyes and looks up at the humanoid's face: "I can take myself to any world, all I need to do is but imagine... but I may only go to one more place... and they I may never, ever go anywhere again. My travels will be over."

He stands up, and nobly looks down at the creature. "I remember you. You seemed a loyal thing. You may... come with me."

Charlemagne is worried, truth be told. For the first time he is depending on the company of another for protection. All his powers are spent, all but two. The rest he has lent to soldiers on the field of battle, in return for their autonomy, their souls, while the others have been wasted away. His gifts are no more. He has one shot to imagine himself into paradise, and to decide what that paradice is. The final gift? Nobody may know for certain.